“It is my
feeling that originally, the Samson foxes incident was unconnected to the
astral phenomenon. But eventually, as Samson became associated with the sun god
and the crop burning wildfire story became more widely known, the heathen
nations naturally connected the Hebrew story with the wildfire season and the
heliacal rising of the two conspicuous stars”.
John R. Salverda
John R. Salverda writes,
once again, on what he perceives to be “A Relationship
Between Western Mythology and Hebrew Old Testament”: https://www.ancient-origins.net/myths-legends/dog-days-summer-rising-dog-star-sirius-003431
The Dog Days
of Summer
"Dog Days," the phrase invokes the hottest,
most stifling days of summer. The 40 days, beginning July 3 and ending August
11, marks the traditional timing of the Dog Days. These coincide with the
heliacal (at sunrise) rising of the Dog Star, Sirius. For the ancient
Egyptians, Sirius appeared just before the Nile's flooding season, so they used
the star as an indicator of the flood. Since its rising also coincided with a
time of extreme heat, the connection with hot, sultry weather was made for all
time:
"Dog Days
bright and clear
indicate a happy year.
But when accompanied by rain,
for better times our hopes are vain."
indicate a happy year.
But when accompanied by rain,
for better times our hopes are vain."
Now, you may well ask, what has this common feature of a
modern farmer's almanac, got to do with a study of the relationship between
Western mythology, and the Hebrew Old Testament? Well, our modern concept of
"dog days" can be traced back through the Romans, to the Greeks, and
then in my opinion, even beyond that (as I hope to convince the reader) to the
story of Samson, that has come down to us in the Old Testament Book of Judges.
Etymologists have no problem tracing the origins of the
Idiom "dog days" back to the Romans, the Greeks, and even as far back
as the Egyptians. But one important question, that they all seem to have
successfully avoided explaining, is this; How did the stars (that are naturally
associated with the hot, dry, wildfire season, by virtue of their mere location
in the summer sky,) get originally affiliated with dogs (or, even more
anciently, with foxes)? First of all let us establish that those days that we
moderns have linked to "dogs" may once have been just as strongly (or
even more so) connected to "foxes." Among the Greeks the two stars
that we commonly associated with dogs (namely Sirius and Canicula) were
anciently represented as one dog, and one fox, who were known as "Laelaps
the dog" and the "Teumessian fox" as follows (Taken from the
Wikipedia article "Laelaps");
Laelaps was a female Greek mythological dog who never
failed to catch what she was hunting. … Cephalus, decided to use the hound to
hunt the Teumessian fox, a fox that could never be caught. This was a paradox:
a dog who always caught his prey and a fox that could never be caught. The
chase went on until Zeus, perplexed by their contradictory fates, turned both
to stone and cast them into the stars as the constellations Canis Major
(Laelaps) and Canis Minor (the Teumessian fox). (See: Apollodorus,
"Bibliotheca" 3,192. and; "Nature Guide Stars and Planets."
p. 275. DK Publishing 2012. Penguin. ISBN 978-1-4654-0353-7).
In the story of Samson there were pairs of foxes tied
together at their tails, with a blazing fire between them. They were presumably
running back and forth trying to get away from the flame, in a perverse, back
to back, tug of war (running after, following but not really chasing each
other.).
It is perhaps understandable how the Greeks could've come
up with the idea of the unresolved chase of Laelaps (forever pursuing) and the
Teumessian fox (never overtaken) as a corruption of the original tale, told
about Samson and his pairs of foxes, in the Book of Judges (in their frantic
end to end chase). It is however, noteworthy to point out that the foxes are
portrayed as being in pairs, because the dog stars are indeed portrayed as a
pair of stars (During the wildfire season, the blazing sun appears between
them.). The next logical step in identifying the "dog stars" with
Samson's well known firefoxes (with a knowing wink and a nod to users of the
very popular web browser), comes with showing that there was an ancient Greek
association, of the "Teumessian fox," with crop burning wildfires.
The Greeks did connect the "dog stars" (at least one of which, which
we have pointed out, was a fox and not a dog) with wildfires, I shall here
produce a few ancient Greek sources to prove it. First of all, this association
was made evident by the Greek myth of "Aristaeus."
The chapter of the Aristaeus myth that deals with the
field scorching "dog-star" takes place on one of the Minoan Islands,
specifically Keos (sometimes spelled "Ceos"). This story is like that
of Samson and the foxes, in that the "scorched ... land of the Ceans"
that had "robbed their fields of produce" had been caused by
"Procyon" a star that the Greeks identified with the Teumessian Fox,
related by Higinus as follows; "Jupiter, pitying their misfortune,
represented their forms among the stars ... The dog, however, from its own name
and likeness, they have called Canicula. It is called Procyon by the Greeks,
because it rises before the greater Dog. ... Canicula rising with its heat,
scorched the land of the Ceans, and robbed their fields of produce ... Their
king, Aristaeus, son of Apollo and Cyrene, and father of Actaeon, asked his
father by what means he could free the state from affliction. The god bade them
expiate the death of Icarus with many victims, and asked from Jove that when
Canicula rises he should send wind for forty days to temper the heat of
Canicula." (Hyginus, Astronomica 2. 4). It is noteworthy that Hyginus,
while using the Latin term "Canicula" (the "lesser dog")
points out that "It is called Procyon by the Greeks, because it rises
before the greater Dog" ("Procyon" meaning "before the
dog" does not necessarily indicate that the Greeks themselves thought of
it as a dog but, that it merely preceded the dog, or that it ran ahead of the
dog, as it was known in their mythology as the "Teumessian Fox."). We
nowadays call it Canis Minor, however in Akkadian and Sumerian it is
"Shelebu" and "KA.A" (both meaning "the Fox"). It
was well known in ancient times that the appearance of these
"dog-stars" in conjunction with the sun meant severe drought and
wildfires.
Although burning fields were clearly associated with the
fox, the Pelasgian hero Aristaeus is characteristically credited with doing
just the opposite of what the Danite hero Samson did (The Pelasgian/Philistines
had apparently mitigated their version of the Scriptural Samson, their
antagonistic enemy, into "Aristaeus" their own protagonist hero. An
article that explores the probability that Aristaeus was an ancient
Pelasgian/Philistine version of the Hebrew Samson can be read; Here.).
Aristaeus alleviated the scorching, while Samson was said to have caused it.
As Apollonius relates; "Sirius was scorching the Minoan
Islands from the sky, and the people could find no permanent cure for the
trouble till Hekatos (Apollo) put it in their heads to send for Aristaeus. So,
as his father’s command, Aristaeus ... made ritual offerings in the hills to
the Dog-star and to Zeus Kronides himself. In response, Zeus gave his
orders--and the Etesiai refresh the earth for forty days." (Apollonius
Rhodius, "Argonautica" 2. 518 ff.). The number "40," used
as a time period, is a well known Hebrew convention, widely attested to in Scriptural
usage. It has translated into Christian applications in such traditions as
"Lent" and "St. Swithins day" (July 15 is St. Swithin’s
Day. There is a very old Scottish weather proverb; St. Swithin’s Day if thou
dost rain, For forty days it will remain.). This, it seems to me, is highly
suggestive as to the Hebrew origins of even some "pagan" customs like
the "six weeks" of groundhog day, and the subject of the present
article the dog days of summer where, as we can see here from Apollonius, it's
roots go back into the dim antiquity of Greek mythology.
See how Nonnus tells the tale, weaving Aristaeus'
beekeeping (another Samson connection from Judges 14:8) attribute into the
narrative; "He (Aristaeus) lulled asleep the scorching dogstar of Maira.
He kindled the fragrant altar of Zeus Ikmaios (of the Moisture); he poured the
bull's blood over the sweet libation, and the curious gifts of the gadabout bee
which he lay on the altar, filling his dainty cups with a posset mixt with
honey. Father Zeus heard him; and honouring his son's son, he sent a
counterblast of pest-averting winds to restrain Sirius with his fiery
fevers." (Nonnus, "Dionysiaca" 5. 212 ff.).
It is my feeling that originally, the Samson foxes
incident was unconnected to the astral phenomenon. But eventually, as Samson
became associated with the sun god and the crop burning wildfire story became
more widely known, the heathen nations naturally connected the Hebrew story
with the wildfire season and the heliacal rising of the two conspicuous stars.
It seems evident to me that these stars became identified with the fox
originally because of the anciently well known story of the Danite hero. It is
also apparent that Samson was anciently promoted as a "Messiah"
figure and, was widely popular, giving rise to such "mythological"
characters as, not only Arisaeus but also Herakles, and perhaps even lended his
attributes to fill out the stories "pagan" sun-kings such as Oedipus
as well. Connecting the "King of kings" with the sun god (just as the
"crown" has a clear association with the "corona") should
come as a shock to nobody. (The heathen equation of the King as the Sun, or as
the son of the Sun, as in ancient Egypt, surely had it's origins with the idea
that the longed for Messiah, was the son of God and/or God Himself. And if you
worshipped God as the Sun, then the link between the Messiah, as the great
King, and the Sun, follows naturally.). Equating God and/or the Messiah with
the Sun was a widely attested to ancient misconception that the Scriptural
narrative spends no little effort in attempting to correct. Thus the blazing
fire between Samson's foxes became analogous to the Sun rising between the
"dog" stars during the height of the wildfire season.
The burning fields in the story of Samson ("Shemesh-on"
the name Samson is the word shemesh meaning "sun" suffixed with the
"-on" extension. This extension personifies or localizes the root:
the name "Sams-on" means "Sun Man.") and the foxes (the dog
stars) almost certainly has something to do with this phenomenon (The stars
attending the wildfire season may have reminded astronomers of the, presumably
renowned, field burning foxes in the Hebrew story.). See how Aratus associates
the "star" with tree burning "flame" as he says; "A
star that keenest of all blazes with a searing flame and him men call Sirius.
When he rises with Helios, no longer do the trees deceive him by the feeble
freshness of their leaves." (Aratus, Phaenomena 328 ff.). And here from
Quintus Smyrnaeus; "From the ocean-verge up springs Helios in glory,
flashing fire far over earth - fire, when beside his radiant chariot-team races
the red star Sirius" (Quintus Smyrnaeus, "Fall of Troy" 8. 30
ff.). And also Statius; "Sirius the Dog-star smitten by Hyperion’s full
might pitilessly burns the panting fields." (Statius, "Silvae"
3.1.5). In the story of Oedipus as told by Seneca, Thebes was plagued by a
drought; "No soft breeze with its cool breath relieves our breasts that
pant with heat, no gentle Zephyrus blows; but Titan (the sun) augments the
scorching dog-stars' fires, close-pressing upon the Nemean Lion’s back. Water
has fled the streams, and from the herbage verdure. Dirce is dry, scant flows
Ismenus’ stream" (Seneca, Oedipus 37 ff.). Take note how Seneca
incorporates the "Nemean Lion" (the constellation Leo) into the
portent of the "scorching fires," for consideration along with the
other lion slaying, fox subduing myths.
Another suspicious conflation between the Samson,
Herakles, and Oedipus, stories is the way that the mythographers keep trying to
work foxes into their tales. Corinna ties Oedipus to the crop burning fox;
"Oedipus killed not only the Sphinx but also the Teumessian fox."
(Corinna, Fragment 672. Greek Lyric IV). Thus the fox is linked to the death of
the maiden/lion Sphinx of Oedipus; Also Apollodorus gives to Amphitryon, the
foster-father of Herakles, the same role; ''Amphitryon would free the Cadmean
Land of its Fox. For a wild Fox was creating havoc in the land."
(Apollodorus, Bibliotheca 2. 57) This is the same "Teumessian fox" or
"Cadmean vixen" that is associated with both Oedipus and the father
of Herakles. In the Herakles saga, the fox theme helps to explain the
connection between the family of Herakles and the city of Thebes, where the
strong-man would kill his first lion and meet (and kill) his first bride.
Samson of course, killed a lion and was responsible for
the death of his maiden, also in conjunction with his fox episode; "And
Samson went and caught three hundred foxes, and took firebrands, and turned
tail to tail, and put a firebrand in the midst between two tails. And when he
had set the brands on fire, he let them go into the standing corn of the
Philistines, and burnt up both the shocks, and also the standing corn, with the
vineyards and olives. Then the Philistines said, Who hath done this? And they
answered, Samson, the son in law of the Timnite, because he had taken his wife,
and given her to his companion. And the Philistines came up, and burnt her and
her father with fire." (Judges 15:4-6); "he caught three hundred
foxes, and joining lighted torches to their tails, he sent them into the fields
of the Philistines, by which means the fruits of the fields perished."
(Josephus "Antiquities of the Jews" Book 5 Chapter 8, 7). Heracles
set fire to the city of Orchomenus the capital city of the Minyans; "Then
appearing unawares before the city of the Orchomenians and slipping in at their
gates he both burned the palace of the Minyans and razed the city to the
ground." (Diodorus Siculus, “Library of History” Book 4, Chap. 10, 5).
Aristaeus was, however indirectly, associated with this particular "Teumessian fox" as well. Actually, the fox motifs that are attributed to Aristaeus, are much more like that of Samson's, than are those of either Herakles', or Oedipus'. For the fox myth that is connected with Aristaeus involves the burning up of the crop fields and orchard trees.
Aristaeus was, however indirectly, associated with this particular "Teumessian fox" as well. Actually, the fox motifs that are attributed to Aristaeus, are much more like that of Samson's, than are those of either Herakles', or Oedipus'. For the fox myth that is connected with Aristaeus involves the burning up of the crop fields and orchard trees.
The Romans also associated foxes with the burning of
crops through wildfires (although not necessarily during the mid summer
season). As is evidenced by one of Ovid's accounts. I shall close with
something that was written way back in the early 1800's by the famous Biblical
commentator Adam Clarke, who had a very perceptive opinion on Ovid's concerning
this ancient "Roman" tradition thusly (I added the parenthetical
remarks):
Adam Clarke's
Commentary on the OT, Volume 2. "The Book of Judges" Notes on Chap.
XV, Verse 20
The burning of the Philistines' corn by the means of
foxes and firebrands is a very remarkable circumstance; and there is a story
told by Ovid, in the 4th book of his Fasti, that bears a striking similitude to
this; and is supposed by some learned men (Namely, Samuel Bochart and Petrus
Serrarius -JRS) to allude to Samson and his foxes. The poet is at a loss to
account for this custom, but brings in an old man of Carseoli, with what must
have appeared to himself a very unsatisfactory solution. The passage begins as
follows:
The substance of the whole account, which is too long to
be transcribed, is this: It was a custom in Rome, celebrated in the month of
April to let loose a number of foxes in the circus, with lighted flambeaux on
their backs; and the Roman people took pleasure in seeing these animals run
about till roasted to death by the flames with which they were enveloped. The
poet wishes to know what the origin of this custom was, and is thus informed by
an old man of the city of Carseoli: "A frolicsome young lad, about ten
years of age, found, near a thicket, a fox that had stolen away many fowls from
the neighboring roosts. Having enveloped his body with hay and straw, he set it
on fire, and let the fox loose. The animal, in order to avoid the flames, took
to the standing corn which was then ready for the sickle; and the wind, driving
the flames with double violence, the crops were everywhere consumed. Though
this transaction is long since gone by, the commemoration of it still remains;
for, by a law of this city, every fox that is taken is burnt to death. Thus the
nation awards to the foxes the punishment of being burnt alive, for the
destruction of the ripe corn formerly occasioned by one of these animals."
Both Serrarius (Petrus Serrarius, who was a Dutch
millenarian theologian. 1600–1669 -JRS) and Bochart (Samuel Bochart, who was a
French Protestant biblical scholar. 1599 –1667 -JRS) reject this origin of the
custom given by Ovid; and insist that the custom took its rise from the burning
of the Philistines' corn by Samson's foxes. The origin ascribed to the custom
by the Carseolian they consider as too frivolous and unimportant to be
commemorated by a national festival. The time of the observation does not
accord with the time of harvest about Rome and in Italy, but it perfectly
accords with the time of harvest in Palestine, which was at least as early as
April.
Nor does the circumstance of the fox wrapped in hay and
let loose, the hay being set on fire, bear any proper resemblance to the foxes
let loose in the circus with burning brands on their backs. These learned men
therefore conclude that it is much more natural to suppose that the Romans
derived the custom from Judea, where probably the burning of the Philistines'
corn might, for some time, have been annually commemorated. The whole account
is certainly very singular, and has not a very satisfactory solution in the old
man's tale, as related by the Roman poet. All public institutions have had
their origin in facts; and if, through the lapse of time or loss of records,
the original facts be lost, we may legitimately look for them in cases where
there is so near a resemblance as in that above.
No comments:
Post a Comment