Sunday, January 29, 2012

Similarities of Ancient Hebrew and Greek Religion




[The AMAIC considers the Middle East – West comparisons of John R. Salverda as interesting, with some of them we think being very likely. But we do not necessarily agree with all of the following]





Olympus:

The Council of the gods

The contention here being that Greece was colonized largely from Israel, let us look among the Israelites for the origin of the Olympian concept. We won't have to search Israelite theology for long to find such a thing as the Greek "Olympus," the idea of a heavenly council of the gods, who spoke with one voice from a certain sacred mountain, these concepts surely did not originate in Greece. Not only did the Israelites have such a mountain based heavenly council of the gods, but they even called it by the same name! The term that was used among the Israelites for "the gods," was "Ha Elohim." The Greeks borrowed the Hebrew word, and it wasn't just the word that they borrowed.



In the Hebrew scriptures, the gods are not called the Olympians, they are the Elohim, but to the Greeks Olympus was more than just the gods, it was the kingdom of the gods, the Heavenly Kingdom itself. The actual circle of the heavens is naturally divided into its twelve sections by the number of months in a year, because animal shaped gods have been assigned to each section of the sky, it has been called the Zodiac (zoo-dial). Accordingly, the Greeks have twelve members of their heavenly kingdom, Olympus (like the Hebrew tribes, the list of Olympians sometimes changes, but the number always stays at twelve). The nation of Israel is also known as the Kingdom of Heaven, thus there is also the requisite twelve part division, the tribes. Many have made this connection between the tribes and the Zodiacal signs already, (with varying degrees of failure and success,) by conveying a sign of the Zodiac to each of Jacob's inheritors using the poetic language of each individual tribal blessing, (Gen. 49) where indeed it can be said that some animal comparisons are drawn (Judah is a lion, Issachar is an ass, Dan is a serpent, Naphtali is a hind, Benjamin is a wolf.). The point is, that the Olympian gods were like the tribes of Israel, not only in that there happen to be twelve of each, but also because they share the same reason for being so divided, they each stood for the dozenized Kingdom of Heaven. Both groups of twelve were the children and grandchildren of a single patriarch, Israel for the tribes, and Kronos for the Olympians. Kronos and Israel have been identified elsewhere.

Both kingdoms were divided amongst the siblings by lot. Also, it is not insignificant to note, that in each case, the twelve are set up so that one of them is king over the other eleven. The gods of Olympus, like the Elohim of Israel, spoke with one voice, it can therefore be said, that for the Greeks, "Olympianism," was an obvious step toward monotheism. The same thing could be said about the effects of "Elohimism" on Israel, for the term obviously retains its original plural form. It is not unreasonable therefore, to conclude that the Greek term, "Olympus" derives directly from the Hebrew word Elohim, (appending the usual Greek "-us" of course,) meaning, "the gods." Another correlation that becomes apparent when we compare the Hebrew Elohim, with the Greek Olympus, is the fact that they both shared the same serpentine antagonist.

The Idea that there was a great dragon/serpent opponent to the Most High is not foreign to the Hebrew Scriptures, the Biblical dragon, was named "Rahab," and this was apparently the same monster that was also called, "Leviathan." The Hebrew name Rahab, means "storm," and it is perhaps worth mentioning that storm is also what the name of the Greek dragon "Typhon" means. The name Typhon probably derives directly from the Hebrew name of a mountain called "Baal-Tsephon," that was located at the Red Sea crossing, where the Pharaoh met his death (Ex.14:9). There is also extrabiblical evidence for equating Tsephon with Typhon for the name can be recognized amongst the Ras-Shamra texts that were found at the site of ancient Ugarit. There we find that Mount Tsephon is the place from where Baal rushes out to defeat his serpentine foe, whose name we also recognize even in its Canaanite form "Lotan." The name Leviathan, was probably known as well to the Greeks, although altered slightly in form. The name "Python," of the contender with Apollo, if it did not derive from the usual Hebrew word for a cobra, "pe'then," is probably just a clipped version of the Hebrew name, Le-"viathan," (There is also "Phaethon," who was likewise shot down by Jove amidst a similar traumatic geological upheaval, he was not a dragon, but he was, like the Pharaoh of Egypt, the son of the Sun god Helios, after whom the Egyptian city of Heliopolis gets its name.) the Greeks also had the serpent Ladon. The Greek Ladon was a many headed serpent that guarded the way to the tree of the valued fruit in the ancient garden of Hesperidies, the Greek Typhon too, was many headed. According to Psalm 74, verses 13 and 14, the Biblical serpent, there called Leviathan, also has several heads. We learn something more from Psalm 74, for the Arabic Targums here use the phrase, "the strong ones of Pharaoh," in the place where, "the heads of Leviathan," usually appears.

Obviously the Hebrews did not believe in real dragons, the story of God's battle against the great dragon was typical Hebrew poetic symbolism, and in this case it was used in association with the exodus of the twelve tribes from Egypt. The Targums also substitute the phrase, "the Egyptians," for the name "Rahab," at Psalm 87 verse 4. Isaiah even symbolizes the Pharaoh and his Egyptian army as the great serpent Rahab, at chapter 51 verses 9 and 10, also at Isa. 30:7. Well, most of us know what the Bible says, but did you realize that the Greeks and Romans probably did not believe in real dragons either, and that they knew that their great dragon contender with god was, in reality, named after an actual ancient Pharaoh of Egypt? So says the Roman Pliny in book 2, section 91, of his great work, written in 77 AD, and entitled "Natural History." Now, how many ancient Egyptian Pharaohs, who were symbolized as a great dragon, and had a battle with the highest G/god, were there? Surely these two stories were referring to the same event.

The heavenly twelve were in the land of Egypt at the time that Zeus battled Typhon, they had, according to the myth, fled there to hide from the dragon, and while the twelve tribes had gone to Egypt merely to avoid a famine, in each case it was a forced exile with the hope of finding haven among the Egyptians. The twelve had to remain in their Egyptian exile, until the final defeat of the serpentine antagonist by G/god, at which time, both groups of twelve, the Olympians and the tribes, were able to come up out of the land of Egypt.

The Greek variant that mentions the Egyptian exile of the heavenly twelve, has considerable antiquity and has been attributed by others to a lost work by Pindar, a Greek who wrote as early as about 500 BC. Herodotus wrote a book that wasn't lost, in his "Histories," near the beginning of book three, written almost as long ago, about 450 BC., he locates the burial place of Typhon, under the water of a great lake (called Lake Serbonis) at the Syrian border with Egypt. Herodotus also notes that these "Syrians," the Syrians of Palestine as he calls them, wore the sign of the circumcision. Take note, that this is not simply in the same geographical area, but just as the Scriptural Pharaoh of the Egyptian Exodus lies buried under water, so lies this Typhon in the Greek myth about the Olympian exodus from Egypt. That area of the world was well known in ancient times as the location of Typhon's defeat, the Greek geographer Strabo, in book VII of his, "The Geography," even refers to the Egyptian shore of the Red Sea as "Typhonia." Apollodorus and Ovid both tell this story of the Olympian's Egyptian sojourn, the story was fairly well known and wide spread, but the most recent versions of the myth, always seem to mention one weird detail of the story, namely, that the gods took on the shapes of animals while they were in Egypt.

Much of the Greek myth conforms nicely to the Hebrew story of the Exodus, but the Idea that the, usually human shaped, gods had a metamorphoses into animal shapes, seems too crass for a rational explanation. Modern scholars have called this part of the story an etiology, a clumsy attempt, they say, by later mythographers, to explain the origin of the animal shapes in the zodiac. These emphasize that Pan became Capricorn the fish-goat, and that Venus and Cupid became the two fish of Pisces. Others claim that the myth is an attempt to explain the animal companions that attended many of the Greek gods, these cite the raven of Apollo for example, or the goat of Dionysus. Still others say, that the story shows how the animal headed gods of Egypt originated, these point out that Zeus became a ram and then equate Zeus with Ra-Ammon, and also, that Hera became a cow and then equate Hera with Hathor or Isis. I consider the last of these three theories to be the most accurate, however, I don't think that the "animal gods" part of the myth was a later addition, but rather, that it was as ancient as, and was part of, the original story, for the Hebrew scriptures, which I believe has a source in common with the Greek myth, includes a very similar tale.

Human sacrifice was widely practiced in the pre-Exodus times, and also after that, Abraham, the grand patriarch of Israel, had preached against sacrificing the son of man, the image of God, and in favor of animal substitutes, such as, the Abrahamicly authorized ram. It is certainly no mere coincidence that the main god of the Egyptians, Ra-Ammon, was zoopomorphized by them, as the same animal that was suitable for an Abrahamic sacrifice, the ram. It won't surprise us to find that the Egyptians, having lived with the Israelites for several generations, and having witnessed the lessons of the Exodus first hand, should have learned something about the practice of the true religion. Accordingly, Herodotus tells us that the Egyptians didn't engage in human sacrifices, he says that even for the animal sacrifices, which they did perform, the sheep and bulls, first had to be rigorously inspected by the priestly class, having to pass certain tests for cleanness.

The eminent mythologist, Sir James George Frazer shows, in his most renown work entitled, "The Golden Bough," that the sacrificial victim of those ancient rites, was originally meant to represent "the god himself" (Ch.XLIX,4,Pg.551). Perhaps the idea that the highest God would accept animal substitutions for human sacrifices was at first ridiculed by some, as changing the "image" of god. Thus the introduction of the Abrahamic religion into Egypt may have given rise to the Greek myth, a lampoon as it were, where, in Egypt, the gods took on the shapes of animals. Still, it was no lampoon to the Egyptians themselves, who, most reverently it seems, assigned an animal head to practically every god they had. An even closer parallel to the Greek myth can be drawn from the story of the Hebrews themselves. Consider this, the twelve members of the Kingdom of Heaven (the tribes not the Olympian gods,) had an anthropomorphic God when they went into Egypt, while there, they took up representing Him as an animal, thus the calf god. They stayed in Egypt until God "crushed the heads of Leviathan," where upon they came up out from the land of Egypt and abandoned their bovine image of God. Now, read the Greek "myth" about the divine metamorphoses again and wonder no longer as to its origin.

Numerous Biblical scholars, examining the use of the name "Elohim" in the Pentateuch, have concluded that the source of this, "Elohimism," was an author, or authors, who lived during the Omri dynasty about 850 BC., in the area of Samaria the capitol of the northern ten tribes. Elohimism, so say these scholars, was the theological point of view of the house of Israel, as opposed to the house of Judah. With this, I must concur, but only partially. I do find it very likely that the Elohimistic view was, at least codified at that time and place, perhaps even by King Omri himself, who as we know from the Scriptures, (Mic.6:16) wrote at least one work, therein referred to as, "The Statutes of Omri." However, the religious system of Israelite Elohimism had its origin long before the days of Omri. A study of the Greek myths will make it evident, that Elohimism was most likely set up back in the days when Moses and Joshua destroyed the Amorites, at which time it directly superseded the older Amorite religious system, for the error of the Amorites had come to completion (Gen.15:13-16).



To the Greeks, the battle between god and the dragon, their Zeus verses Typhon, was the religious turning point of the Greek religion, it was the establishment of Olympianism. The Olympians had to defeat the giants, whom they called "the Titans" before they could establish their own suzerainty, and Typhon fought on behalf of the giants. The battle between Zeus and Typhon, was considered by some to be the final defeat of the giants. The fact that the Greeks have many names for the giants, (besides the Titans there were the Earthborn, and the Aloeids) and several versions of their final defeat, should not deter the biblical scholars from an identification between the Greek giants and the Hebrew giants, on the contrary, this apparent confusion is just another thing that both sources have in common. The Scriptures have, the Nephilim, the Rephaim, the Zamzammim, the Emim, and the Anakim; the first were destroyed in Noah's flood but apparently not entirely. The Rephaim, the Zamzammim, and the Emim were wiped out by the Elamite King Chedorlaomer in the days of Abraham at the battles of Ashtoroth-Karnaim, Shaveh-Kiriathaim, and Ham (Gen.14:5), except for Og (and apparently his brother Sihon) who was called the last of the Rephaim when he was killed by Moses seven generations later. The Anakim were destroyed by Caleb after the death of Moses, and yet there were still a few giants left in the days of David for him to him to earn the Messianic attribute of giant killer. Enumerating the Greek confusion in this regard is equally as complicated; the Titans, like the Nephilim, were confined to Tartarus but were released and then re-confined. The Earthborn Giants revolted against Olympus on behalf of the Titans, their brothers, but were summarily defeated. Then Typhon was born in order to avenge the giants on the Olympians but he was killed as well. The Aloeids were a pair of gigantic brothers, like Og and Sihon, but the Olympians thwarted their rebellion also. Suffice it to say that, in both cases, the war against the giants lasted many years and involved several battles before Olympianism, or in the case of the Israel, Elohimism, could be firmly established.

Furthermore, the Greek kingdom of heaven was represented by a mountain, in much the same way that Israel is represented by Mount Zion. To say that Olympus is like Zion is to emphasize the obvious, and may seem to be an insignificant point, after all they were both mountains and many diverse nations had holy mountains. Perhaps an ancient memory of Mount Ararat is responsible for such a wide dispersal of the "holy mountain" motif. Mountains are awe inspiring, they are closer to the heavens and therefore seem "sacred" automatically, especially to worshippers of the god of heaven. But beyond this, the Scriptures tell us much more about the intricate theological symbolism connected to Mount Zion. It’s not just a mountain, it's God's abode, it's His people, it's their city, it's the bride of God, and she even has a daughter. Its location is no less ethereal than its symbolism is esoteric. There is a Heavenly Zion as well as an Earthly one, the prophets have it rising above all other mountains in the latter days, while the evangelists have it coming down from the Heavens to establish itself at the end times. Mount Zion had a cosmogonical existence as well as an apocalyptic one. God had a "Holy Mountain" even before David established it at Mount Zion. The Garden of Eden was in God's Holy Mountain, there was Mount Sinai, and Mount Moriah, even the Amorites had their own holy mountain, which the Hebrews called, "Mount Herman," but others, perhaps even the Amorites themselves, called it Mount "Sion."

We know a bit less about Mount Olympus, but what we do know is no less enigmatic. It was the abode of the gods, the bronze floored mansion of Zeus, the mansions of the Muses and all the "shining mansions of the gods" were imagined to be upon the snowy peak of Olympus. Of course, the Greeks knew that there were no real mansions on the actual mountain that they called Olympus, the concept of "Olympia" was not confined to a mere mountain. In Homer, Zeus threatens to pull Olympus up with a golden chain and hang Heaven and Earth from it. Homer usually had the gods living upon the mountain but sometimes he locates them in the sky, which he often distinguishes from Olympus. The concept of Olympus was an abstraction, like the concept of Zion, the literal mountain was only a symbol. Many nations, in order to justify their suzerainty, claimed their own Mount Olympus. There were rivals to Zion as well, and it is apparent that the direct prototype for the Greeks was not Mount Zion at Jerusalem itself, (Athens was already named after Zion,) but a more direct predecessor to Olympianism was the Elohimism from one of the famous rivals to Mount Zion, Mount Gerizim at Shechem.



Nothing in all of Israelite history resembles the Greek story, about the establishment of Olympian order over the Titanic chaos, quite like the account of the convocation at Joshua 8:30-34. Moses directed Joshua to assemble the twelve tribes at Shechem for the convocation, a kind of ceremony of confederation, where blessings for obedience were read to six of the tribes who were gathered together upon Mount Gerizim, and curses for disobedience were read to the other six who were gathered upon Mount Ebal. The spectacle of the twelve tribes taking their places at the Shechem mountains, from which they could look North and see the mountain of the defeated giants, the Amorite's Mount Herman, has everything that the Greek myth needs. Shechem became the capitol of Israel at least four generations before King David captured the Jebusite stronghold of Salem. However, the Shechemites incurred the malediction that was outlined in the very same "convocation of the tribes," that argues for their precedence. (Deut. 11:29; 29:26-28) The Shechemites worshipped foreign gods, and not only Baal-Berith either. A study of the Greek myths about the establishment of Olympianism makes it evident that the Israelites of Shechem had set up a system whereby each of the twelve tribes of Israel was represented by a god, or a goddess, and all agreed to abide by the word of one voice.

Like the Hebrew city/mountain of Zion, there was a Greek city also that was named after their mountain and called "Olympia," while this city wasn't in the vicinity of any mountain, it was none the less, founded to portray the abode of the gods. Here was the Temple of Zeus, with its famous statue by Phidias, one of the seven wonders of the ancient world. Here too the Olympian games were celebrated, this was due largely, we are told in the Greek myths, to the efforts of Pelops himself, after whom the whole "Peloponnesus" was named. The Achaeans of Pelops, these were the champions of Olympianism in ancient Greece.



-John R. Salverda

For more articles by John R. Salverda on the Hebraic Connections of Greek Mythology, see:

"Helleno-Yishurin. The Hebrew Origin of Greek Legends"

More on Moses as Hermes


Moses, Hermes, and Io


by John R. Salverda



Background:



John R. Salverda shows how certain aspects of Greek Mythology owed their inspiration to Hebrew prototypes. This is of value in itself for we may sometimes glean hints of historical realities from these stories. The heroine Io for instance (as shown below) was identified by the Greeks themselves of a later age with the People of Phoenicia and with the Jews. The wanderings of Io may in fact refer to the peregrinations of the Lost Ten Tribes whose identify was transposed by the Greeks to the People of Judah and Phoenicia since these were the closest thing still in the neighborhood to what the Ten Tribes had once been.



The most ancient of all the Greek city-states that we have any history from is that of the city of Argos and its surrounding state called Argolis. The Greek city of Mycenae, after which the Mycenaean civilization itself was named, is considered to be but an offshoot from the city-state of Argolis, these preceded the Ionians of Athens, the Boeotians, the Corinthians, and the Dorians of Sparta, by several generations. Accordingly the myths about the founding of Argos represent the oldest of all Greek mythology. The founder and first king of Argos was called Inachus, and the first narrative myth with any kind of storyline from the founding of Argos, involved his daughter Io. This myth was often referred to as the story of Hermes 'Argiophontes,' so called after the hero of the tale, Hermes the 'Argus killer.'



Now, Io was identified with Isis among the Egyptians and the Syrian city of Antioch, formerly called Iopolis, had claimed to be her burial place, while Hermes, was identified with the Egyptian Thoth, the Babylonian Nebo, had a planet (Mercury) and a day of the week (Wednesday) named after him. It is a severe stretch of the imagination to believe that international characters such as Io and Hermes are the invention of the aboriginal pre-civilized Greeks without any outside influence, and became incorporated, fully formed by them, into the foundation myths of their first city-state Argolis. Therefore you must realize that this, earliest of civilizations known to the ancient Greeks, did not originate in Greece itself but obviously came as a colony from elsewhere, bringing with them a developed mythology, to settle there in Argolis. But from where?



It was the opinion of some of the ancient historians that the Argolian royal family had come up out of the land of Egypt. Perhaps these Argolian colonists from Egypt knew about the story of Moses, this would certainly go a long way toward explaining why Hermes is so much like Moses. Moses, like Hermes, was the messenger of God, and both were sent by God to free, each their own, chosen ones from their respective captivities. As the 'Psychopompus' Hermes is divinely commissioned as 'leader of the souls' to the promised land, an attribute that is easily derived from the job of Moses. Furthermore Hermes is famed as the god of travelers just as Moses is the leader of those who wandered. According to the Scriptures, Moses and his followers had a lot of trouble with poisonous serpents, people were sick and dying of snakebite, and so God had bestowed upon Moses a copper serpent that was to be attached to a stick and used for curative purposes, while the mythical Greek character Hermes carried a serpent stick called the 'Caduceus' which was also divinely bestowed upon him and became the worldwide symbol of the medical profession. Some will argue that although the Caduceus did eventually become the symbol of the medical profession, to Hermes himself it was merely the badge of his office as the messenger of god, but of course, it is also true that Moses had another 'serpent stick' which he carried on his missions to bring God's messages to the Pharaoh. We are told by Jewish sources such as the writer Eupolemus, who wrote about 150 BC, that the alphabet was invented by Moses, while according to Greek sources the same alphabet was invented by Hermes. The Egyptian Hermes, whom they called 'Thoth,' is credited with inventing hieroglyphic writing, while the Babylonian Hermes, whom they called 'Nebo,' is credited with inventing cuneiform writing. Nebo, a word that means, the 'Prophet,' was a common nickname for Moses, and when Moses died he was buried upon Mount Pisgah which is also called, no doubt in memory of Moses, Mount Nebo. Needless to say Moses was a prolific writer of sacred texts, in this regard Hermes was apparently no slouch either. So-called Hermetic books dealing with the religion of Egypt were mentioned by Clement of Alexandria, Tertullian, Porphyry, and Jamblichus. Clement even says that the books of Hermes were carried by the Egyptians in religious processions, one wonders indeed if they were kept in an ark like the law of Moses during the religious processions of the Israelites. However well known these Hermetic writings were in ancient times, it wasn't until the middle of the 15th century that some of these previously lost Hermetic texts had supposedly been found in the libraries of the Byzantine Empire. Suspect though they are, these books are accredited to the semi-mythical figure named Hermes Trismegistus (thrice greatest) whom the Gnostics insist, while not being Moses himself, was a contemporary of his.



The preceding has been a list of several obvious parallels between Moses and Hermes, however there are quite a few similarities that are not so obvious but become so with only a bit of explanation, for instance; An ever present characteristic of any image of Hermes is his petasos, that cap which featured a wide circular brim. The fact that this petasos looks, even to the casual observer, remarkably like the halo of a Christian saint, may be a clue to its origin. For the corona of Moses, which is Scripturally attested to at Exodus 34:30, (And when Aaron and all the children of Israel saw Moses, behold, the skin of his face shone; and they were afraid to come near him.) probably was represented pictorially as a circle around his head and therefore it could have served as the origin of the petasos of Hermes. Hermes also had another form of headgear that was intended to hide him, it was known as the cap of darkness, or the helmet of invisibility, we know this because, according to Hyginus from his 'Astronomica,' (2.12) he once loaned it to Perseus, 'Perseus ... received from Hermes, ... petasos, and, in addition, a helmet which kept its wearer from being seen ... the helmet of Hades (the Unseen One), ...' Moses also had a headdress that he wore for the purpose of hiding, for his corona was frightening to people so he used a veil to conceal it, as explained in the book of Exodus at 34:33, (And until Moses had finished speaking with them, he put a veil over his face.) Hermes is often depicted as wearing the winged sandals, but the Greeks would certainly know enough not to take this literally, even as Moses was sent to deliver the Israelites upon eagles wings as at Exodus 19:4, (You have seen what I did unto the Egyptians, and how I bare you on eagles' wings, and brought you unto myself.) so the Greeks would understand that traveling upon wings was merely symbolic and meant nothing more than going swiftly. Among the Greeks, Hermes was considered to be the inventor of casting lots as a method of divination, but Moses also instructed the Hebrews, at a very early date, in the use of lots to divine the will of God. The iconoclastic Moses taught that no images should be made, accordingly there is some evidence that Hermes too was at first an iconoclast. The name of Hermes originated in the Greek word 'herma' meaning a 'stone heap.' Probably from the custom of erecting a 'herm' consisting of an upright stone surrounded at its base by a heap of smaller stones. These unpretentious monuments were often used as landmarks for travelers or to mark territorial boundaries. A mythical origin for these stone heaps may also be surmised, for to quote from the 'Etymologicum Magnum,' 'When Hermes killed Argos, he was brought to trial by the gods. They acquitted him, and in doing so each threw his voting-pebble at his feet. Thus a heap of stones grew up around him.' The point here being that, the many more recent images of Hermes result from apostasies of his earliest teachings, and that the original icon of Hermes, namely, the modest stone heap, was indeed one that would have been acceptable to even Israel himself. Genesis 31:45-46 (And Jacob took a stone, and set it up for a pillar. And Jacob said unto his brethren, Gather stones; and they took stones, and made an heap.) Moses taught that one out of every seven days, the Sabbath, was to be revered as holy, while Hermes also took one day out of the seven, it was Wednesday, and it was named after him.



I was not the first one to identify Moses with Hermes, in fact this was noticed thousands of years ago, at least as early as the second (some think that he could possibly have lived in the third) century BC by the Egyptian (some think that he may possibly have been Jewish) priest Artapanus. Eusebius (ix. 27) quoted from a lost book that was written by Artapanus and was called 'Concerning the Jews' it said of Moses 'he was beloved by the Egyptians, who called him Hermes.' The Greeks themselves seem to corroborate Artapanus by admitting that the Ibis headed Egyptian god Thoth was just another version of their god Hermes. The Greeks even tell a story of how Hermes had come up out of the land of Egypt, where he once had lived disguised as an Ibis. Like it is in the Hebrew Scriptures, the followers of Moses in the story told by Artapanus, were plagued by poisonous serpents, however the Moses of Artapanus (instead of the copper serpent,) employed the Ibis to attack the snakes. This was the reason, Artapanus says, for which Moses/Hermes revered the Ibis so.



There are quite a few ancient historians who have written chronologies representing Moses as living at the same time as Inachus, the father of Io. The native Egyptian priest and historian, Ptolemy of Mendes as quoted by Africanus tells us; 'in the time of Apis son of Phoroneus (Phoroneus was the son of Inachus, and the brother of Io) a part of the Egyptian army was expelled (or simply took their 'leave' from the Greek word 'exepesen' ) from Egypt, who took up their abode not far from Arabia in the part of Syria called Palestine,' And Apion, in his book 'Against the Jews,' and in his 'Histories' Book four, says that, 'in the time of Inachus king of Argos, ... the Jews revolted, with Moses as their leader.' And Clement (44) quotes Ctesias as saying. 'the movement of Moses out of Egypt took place in the time ... of Inachus king of Argos.'



If Hermes was Moses, as per Artapanus, and Moses was a younger contemporary to Inachus, the father of Io, as per the ancient chronologists here cited, then it is very conceivable that the Hermes in the story of Io's wanderings, is a mythic Greek version of Moses in the Hebrew story about the wandering Jews.



We are fortunate to have preserved for us the writings of Aeschylus, who wrote his 'Prometheus bound,' about the year 470 BC. for in this work, the story of Io is linked to the story of Prometheus. The story of Io was, almost certainly an Egyptian and/or Phoenician tale which was brought to Greece by the likes of the Danaus the Egyptian, and by Cadmus the Phoenician, who were both descendants of Io. However, the story of Prometheus, with his father Iapetus, (the eponym of Cappadocia, from a Persian version of the name that was similar to the Latin form, 'Gepetto,') and the Caucasus, would direct us toward the Southeastern end of the Black Sea. Although these two myths seem to come from diverse and distant locations, Aeschylus has connected them as parts of the same story, therefore he must have known of, or at least suspected, that this connection existed, otherwise his readers would not accept it as logical. As Aeschylus relates to us, it was soon after Prometheus was sentenced and fixed to his lofty place of suffering, that Io, in the course of her wanderings, approached his mountain and talked with him. Keeping in mind what we know about the story of the Exodus, the story of how Io got to this place, can tell us much about the figure whom the Greeks called Prometheus.



The earthly wife of god was in bondage, so god sent his serpent stick carrying messenger, on eagle's wings, to lead her out of her captivity. The messenger of god smote the head of her captor and delivered the Earthly wife of god. Did he lead her directly home' No, this is when she went on her famous wanderings, known to the Greeks as, the wanderings of Io. There was a mystifying cloud cover, a gadfly plague, and a miraculous water crossing. She gave birth to the "Egyptian" calf god, "Epaphus." (Apis) But, most telling of all, she approached the special mountain where the creator of mankind was bound, and talked to him. Prometheus told Io that she could expect the savior to be born to her, as one of her descendants, thirteen generations hence. After all this she finally returned to her homeland, Phoronea.



Now, if this story sounds intriguingly familiar it should, for the "myth" of Io's deliverance, and the story of the Exodus share an origin. Let us prove this theory by examining the eleven motifs of the myth, as I have laid them out, point by point: First of all is the statement; 'The earthly wife of god was in bondage' That the nation of Israel itself was symbolically pictured as God's wife is evident from several passages of the Scriptures, notably at Isaiah 54:5 and Hosea 2:1-23 but especially at Jeremiah 31:32, where God's wife is specifically said to have been delivered up out of Egypt; '... I took ... them out of the land of Egypt; ... I was an husband unto them, ...' In accordance with the Greek myth of Io, the chief Greek god Zeus, (the Roman Jove, as Jehovah'), had two wives, one was his heavenly wife Hera and the other was his Earthly one Io. He had given Io to Hera who placed her in bondage, that's right, Io was the bondwoman (or bondmaid) of Hera. (Genesis 16:6 But Abram said unto Sarai, Behold, your maid is in your hand; do to her as it pleases you. And when Sarai dealt harshly with her, she fled from her face.) Thus Hera and Io were to Zeus, as Sarah and Hagar were to Abraham, the wife and her bondmaid, and consequently in accordance with Galatians 4:22-26, also just as God's Earthly wife and God's Heavenly wife were to Him. (For it is written, that Abraham had two sons, the one by a bondmaid, the other by a freewoman. ... Which things are an allegory: for these are the two covenants; the one from the mount Sinai, which brings forth children to bondage, which is Hagar. For this Hagar is mount Sinai in Arabia, and answers to Jerusalem which now is, and is in bondage with her children. But Jerusalem which is above is free, which is the mother of us all.) Here we can see that, as the book of Galatians confirms, the Earthly wife of God was indeed pictured as being in bondage, just as the Greek story of Io portrays. ...In light of the foregoing it seems conceivable that the very name 'Io,' is a mere transliteration of the word 'Jew,' and its use in the Greek myth, is one of the earliest known employments of this term to denote a Hebrew. The Greeks themselves often referred to the inhabitants of Canaan (also known as Israel) as the descendants of Io, an example of one such early reference is in Bacchylides, who lived at the beginning of the fifth century BC, and wrote an ode about Io, so saying that, "she gave to light, man's greatest line, the roots of Cadmus, Agenor's son, ..." thereby of course, referring to the Phoenicians, or rather, as I hope the reader will come to understand by the fact that they both occupied the same land of Canaan, the Hebrews. (Bacchylides, 19.)



The second statement is; 'so god sent his serpent stick carrying messenger, on eagle's wings, to lead her out of her captivity.' Hermes, as we have said previously, parallels Moses, their two serpent sticks, the eagle's wings, and their particular commissions as divine messengers, have all been covered previously, thus it would be redundant to reexamine these apparently identical characters, however let us here consider the underlying parallel plot, of their respective rescue missions. In the myth of Io, it was Zeus himself who, by deceiving her captor, was responsible for the fact that Io was gripped in bondage. He had lied to Hera in allowing her to keep Io captive. He regretted this and it was his will that she should be freed from her captivity, but he did not personally demand it, instead he appointed an intermediary, Hermes, to deliver her. Neither Argus, the champion of Hera and guard of Io, nor Hera herself, knew the true will of god in this matter. In other words, Zeus had acted to free Io from a captivity which he himself was also responsible for orchestrating. God, in the Scriptural story of the Exodus, was also on both sides of the issue, for on the one hand, He kept, as He put it, 'hardening the heart' of the Pharaoh, thereby claiming responsibility for the fact that the Jews were remaining in bondage, while on the other hand, He heard the cries of His poor Earthly wife and, having pity on her in her captivity, it was His will that she should be freed. God did not openly appear to Pharaoh and command him to soften his heart and release the Jews, which He could no doubt have done, as easily as He had caused the Pharaoh to harden it, instead he appointed an intermediary, Moses, to deliver her. One last point on this topic is the interesting detail of the divine excuse. Whether in the Scriptural or the mythological version of the story, the duplicity of God/god is so obvious that the writer finds the need to offer a reason to rationalize it. The Greeks explain that the deceit of Zeus in this regard, demonstrates that it is perfectly permissible to violate a lovers vow, and that it would be completely forgiven by the gods, if one were to do so. While the Scriptural excuse runs thusly; Exodus 10:1-2 And Yahweh said to Moses, Go to Pharaoh: for I have hardened his heart, and the heart of his servants, that I might show these my signs before him: And that you might tell in the ears of your son, and of your son's son, what things I have wrought in Egypt, and my signs which I have done among them; that you may know how that I am Yahweh.



Third we have; 'The messenger of god smote the head of her captor and delivered the Earthly wife of god.' Argus, surnamed, 'Panoptes,' the 'all-seeing,' or 'many-eyed,' was set as Io's keeper. The Egyptians were especially fond of representing their gods as an eye, Horus was considered to be the eye of Ra, so was Hathor Ra's eye, Ra himself was an eye, and even Osiris was an eye, To quote Plutarch; 'Thus, their great king and lord Osiris is represented by the hieroglyphics for an eye and a scepter, the name itself signifying "many-eyed," as we are told by some who would derive it from the words os, "many," and iri, an "eye," which have this meaning in the Egyptian language.' If the Greeks did trace the origin of the name Osiris to the term 'many-eyed' then Argus Panoptes is a likely figurative version of the famous Egyptian god. After all, to the Egyptians, their Pharaoh represented Osiris, and this must have been especially true of a Pharaoh who had been killed. On the other hand I suspect a more esoteric meaning behind the character of Argus, for Osiris symbolizes more than just the Pharaoh of Egypt he was a symbol of Egypt's entire religious system. The many eyes mean the many gods, and the famous killing of Argus by Hermes is a symbolic reference to the death of Polytheism and the famous institution of monotheism by Moses. (This will become more evident after a comparison of this story to the story of Perseus who also performs a famous beheading.) As if to bolster this argument, more than one Biblical commentary has represented the ten plagues, culminating with the death of the Pharaoh at the Red Sea, as each targeting, one after another, the different false gods of Egypt, in order to show their combined ineffectiveness against the one true God of Moses.



As the forth item we have; 'Did he lead her directly home' No, this is when she went on her famous wanderings, known to the Greeks as, the wanderings of Io.' While it is true that the most common tale has Io wandering all over the world, at the end of this trek, she had another more familiar journey. We learn from Robert Graves, 'The Greek Myths,' (56) that there was a strong tradition claiming that the wanderings of Io ended at Mount Silpium in Syria where she was said to have died of grief. This tradition was backed up by the fact that a city, once called Iopolis but later and better known as Antioch, was founded in her honor, and there was a ceremony held there that the residents performed annually in her memory. The following we learn from Apollodorus; Io gave birth to Epaphus in Egypt, but the Curetes kidnapped him, and so Io set out to search for the child. She roamed all over Syria, and found Epaphus, the Queen of Byblos was nursing him. The Egyptians called Io by the name of Isis. You can verify it by reading his work, 'Library and Epitome' (2.1.3) Many mythic women, have wandering as one of their attributes, unfortunately, the scope of this work, does not include tracing the origins of all myths to the stories of the Hebrews, only the Greek ones. If you accept the identification of Io with Isis as given by Apollodorus then, Plutarch confirms the route of her wanderings, that is from Egypt to the land of Canaan (Byblos) in his story of Isis. The Jews after making the calf-god, like Io after the birth of Epaphus, were famous for wandering from Egypt to Canaan. But also like Io, the Jews went through an extensive period of sojourning prior to the calf-god incident, Therefore the Greek myth of Io with her more extensive wanderings could be referring to a story of the Jews that covers the whole period of time from Abraham down through the Exodus. A Scriptural verse that actually talks about this time period can be found at Genesis 15:13 '... your seed shall be a stranger in a land that is not theirs, ... four hundred years.' Furthermore the phrase 'your seed' here cited could be referring to more than Abraham's descendants through Sarah, for let us not forget that Hagar, who was a wife's bondmaid like Io, began her period of wandering already in the days of Abraham.



Now, we know that Israel wasn't in Egypt for 430 years, but, on the other hand they were said to have been first in Mesopotamia, then in Canaan, and then in Egypt, before returning to Canaan, for about that length of time. And so, after a closer examination, it does seem possible that the Greek version of Io's wanderings could have originated, like the rest of her story, from the same source as the Hebrew version of a story about the wandering Jews. Incidentally, since this story was brought, it would seem, by the Jews from Canaan to Argolis, we can adduce this migration as the final leg of their wanderings.



The fifth point is; 'There was a mystifying cloud cover,' In each case the God/god raised up a cloud in order to hide his Earthly wife from her subjugator. See Exodus 14:19 where it says; 'And the pillar of the cloud went from before their face, and stood behind them: And it came between the camp of the Egyptians and the camp of Israel; and it was a cloud and darkness to them, but it gave light by night to these: so that the one came not near the other all the night.' In the Greek myth Zeus also raises up a mystifying bank of clouds to hide his Earthly wife Io from her subjugator Hera.



Featured sixth is; 'a gadfly plague,' While at first glance this would seem to make an intriguing match, I'm afraid that I can't really defend this identification. Io was indeed 'plagued' by a gadfly, but the word which is often translated from the Greek and Latin originals is a verb, and could just as easily have been rendered as 'harassed,' 'attacked' or 'stung.' The scriptural term is a noun and could perhaps be more properly interpreted by the word 'blow,' or 'strike.' Even the term, 'gadfly' is in doubt, a few, by no means all, Scriptural translations, such as, the New World, the Jerusalem Bible, and the Emphasized Bible, have rendered the word representing the agent of the fourth plague as 'gadfly,' however, we are more certain that Io's pest was a gadfly than we are that this Biblical 'swarm' was of gadflies. Never-the-less, I did feel obligated to include this topic anyway, for the sake of those who are familiar with both the Hebrew story and the Greek myth, for these would naturally wonder about it. After all, the first two things that come to mind when you hear the phrase, 'gadfly plague,' would be, of course, first the Exodus and then the myth of Io. Let the reader dismiss this motif as he sees fit, you can take it or leave it.



As motif number seven we have; 'and a miraculous water crossing.' Having identified the wandering Io, with the wandering Jew, the obvious intent here is to equate the miraculous Scriptural Red Sea crossing, with the also miraculous water crossing of the Bosphorus, by the divine heifer in the Greek myth. Although the name "Bosphorus" is usually reserved as the title for the straits between the Black Sea and the Sea of Marmara, there are other narrow water crossings between land masses, that are also called by that name. Apollodorus tells us in his, 'Library and Epitome' (2.1.3) "Io ... crossed what was then called the Thracian Straits but is now called after her the Bosphorus. (Here, Apollodorus is not referring to the usual Bosphorus, but to the Cimmerian Straits of Phosphorus, a tongue of water that leads from the Black Sea northward into the Sea of Azov now-a-days called the Kerch Strait. It separates the Crimean Peninsula from the Kuban region in the west.) And having gone away to Scythia and the Cimmerian land she wandered over great tracts of land and swam wide stretches of sea both in Europe and Asia until at last she came to Egypt." There was also what was called the Indian Bosphorus that was, amazingly enough, across the Red Sea, at Bab-El-Mandeb, so says Robert Graves in his book, 'The Greek Myths,' (56) Now, the fact that there are these other water crossings that are also called Bosphorus is very suspicious, especially when you suppose that the origin of this word comes from the Greek myth. Could the mere fairy tale of Io swimming across the straits of Bosphorus have been so influential as to name straits all over Europe and Asia' Wasn't there another water crossing, that was of much greater import, and was a more likely origin to these multiple uses of the term Bosphorus' As we have intimated earlier, the term Bosphorus is the Thracian form of Phosphoros ('Prometheus Bound & the Fragments of Prometheus Loosed' by N. Wecklein) meaning, "Light bearing." Probably the word "Bosphorus," originated with the word "phosphorus." And this in turn probably came from the word "Eosphoros" (related to other similar terms such as "Hesperus" and "Heosphoros") or "dawn bearing." For "Io," is probably a form of the Greek "Eos," which means the "dawn" and was, as we have seen, just another name for "Zion," (could this be the ultimate origin of the English word "dawn'" We also have a goddess called "Morgana" as "morning.")



The eighth part of the myth is; 'She gave birth to the "Egyptian" calf god, "Epaphus." (Apis)' Showing that Epaphus, the son of Io, was meant by the Greeks to represent the Egyptian calf-god Apis is elementary, the Greeks themselves, as early as Herodotus about 450 BC, (Now Apis is the god whom the Greeks call Epaphus. from 'Histories' Chapter 3) make it plain that this is so. Furthermore, equating the golden calf, which was built and worshipped by the Hebrews during their Exodus, with the Egyptian god Apis, is also largely done for me already, by the majority of Scriptural commentaries. Therefore logic propels this statement; If the Greek Epaphus was the Egyptian Apis, and the Egyptian Apis was the Hebrew golden calf, then it logically follows that the Greek Epaphus was the Hebrew golden calf. Of course it may be argued that the Jews did not give birth to the golden calf, however, if we accept that Io was the Jews and that she gave birth to Epaphus just before she wandered from Egypt to Canaan, and we are able to equate that, with the Jews building their golden calf just before they wandered to Canaan, then a strong case can be made that the 'building' of the golden calf refers to the 'birthing' of Epaphus.



ninth; 'But, most telling of all, she approached the special mountain where the creator of mankind was bound, and talked to him.' Associating Io with the Jews, leads automatically to the identification between the two mountains that are featured in each their own two stories. The identical characters identically wandered, the Jew to Mount Sinai, and Io to Mount Caucasia, this would be enough to link the two mountains, but the Greeks offer such details about Io's special mountain as to make it's correlation obvious. Not only was there a special mountain, but the creator of mankind was 'bound' to it. Now, please don't let the common knee-jerk reaction, charging blasphemy, and decrying the dissimilarities between the Promethean creation and that of God in the book of Genesis, blind your eyes to the following comparison, no doubt the reader is sufficiently inured by now. Prometheus, like the Scriptural Creator, created Mankind out of clay. Also included in the story of Prometheus, is the tale of how the first woman, therein called Pandora, introduced evil into the world because she could not do as she was told. Prometheus not only gave a clear warning that if heeded would have prevented this feminine mistake, his story also included a Greek version of the 'Messianic' prophecy. Just like the Edenic promise concerning the Seed of the enigmatic woman, so was the identity of she who would one day give birth to the child, who was destined to overthrow Zeus, equally mysterious. But where, you may ask, is the Garden of Eden in the story of Prometheus' The answer is, that the same people who told the story of Prometheus did have the story of that ancient garden, for Prometheus was the brother of none other than Atlas, the ancient gardener himself. Practically every motif from the Scriptural story of creation, can be found within the Greek myth about the family of Prometheus and Atlas. And why not' For they were the sons of Iapetus, the only character in all of Greek mythology whom, Biblical scholars are willing to admit, may have had a Scriptural origin, Japheth the son of Noah and the progenitor of the Caucasians.



The tenth particular point to be made in the myth of Io as I have laid it out is; 'Prometheus told Io that she could expect the savior to be born to her, as one of her descendants, thirteen generations hence.' This point, overlooked by many, is exceptionally strong evidence for equating the Greek and Hebrew traditions. A quote from 'Prometheus bound,' a play by Aeschylus, who wrote as early as 500 BC, runs thus; 'PROMETHEUS: She (a future wife of Zeus) will bear to him a child, And he shall be in might more excellent Than his progenitor. IO: And he will find No way to fend off this strong stroke of fate' PROMETHEUS: None save my own self when these bonds are loosed. IO: And who shall loose them if Zeus wills not' PROMETHEUS: Of your own seed. IO: How says you' Shall a child of mine release thee' PROMETHEUS: Son of yours, but son the thirteenth generation shall beget. IO: A prophecy oracularly dark.' Is it not amazing how exactly, down to the smallest details of theology, that the Greek and Hebrew traditions match on this point' With the advent of this 'savior' Prometheus would no longer be 'bound' to the mountain. How many stories do you know of where the creator of mankind will be released from his binding contract through the fulfillment of a prophecy predicting the future arrival of the son of god, and the seed of a woman' (Well, the story of Atlas is also remarkably similar but, as I hope the reader will come to realize, the two stories were intricately related.) The entire genealogy of the Greek savior, all thirteen generations are known to this day! (as if it were the thirteen generations from Abraham to David!) Can any other "myths" claim to pay such attention to the details of lineage? Check it out, Heracles was the son of, Amphitryon the son of, Alcaeus the son of, Perseus the son of, Danae the daughter of, Acrisius the son of, Abas the son of, Hypermnestra the daughter of, Danaus the son of, Belus the son of, Libya the daughter of, Epaphus the son of, Io the daughter of Inachus. Why such meticulous genealogical record keeping, for these fairy tales' The obvious answer is, that they weren't fairy tales at first, they only became considered as such by later generations after we had forgotten the true meanings of the symbolisms. Once upon a time they were taken as seriously as Scripture.



Last, but not least, is the eleventh assertion which is as follows; 'After all this she finally returned to her homeland, Phoronea.' By now it will have become obvious to the reader, that none of these events actually took place in Greece itself, the wandering was from Egypt to Canaan, the mountain was Sinai, and the miraculous water crossing turns out to have been at the Red Sea, so it should come as no surprise to find that Phoronea was not Argos in the Greek Argolis either. Phoronea was Hebron, the giant who was known to the Greeks as Inachus, and the sons of Inachus, (called the Inachids, in the Greek myths) were the founding family of Phoronea, just as the giant who was known to the Hebrews as Anak, and the sons of Anak, (called the Anakim, in the Bible) were the founding family of Hebron. Thus the Greek giant Inachus is to be identified with the Hebrew giant Anak. (in light of the foregoing, the parents of Inachus, Tethys and Okeanus, represent plausibly, Heth and Canaan.) Inachus had at least two children, a boy, Phoroneus, whom Phoronea was named after, and the girl, Io. The name Phoroneus must be a shibboleth of the name Ephron, whom I assume Hebron to be named after. A further clue for this identification lays in the fact that Phoroneus was famous, in Greek myths for trying to get nomadic peoples to settle down and live in towns, he was a well known 'civilizer.' The biblical Ephron tried the same thing with the nomadic Abraham. When the Hebrew patriarch came to Ephron, (the Hittite) at Hebron, looking for a family grave site, all he wanted was a cave, but Ephron made Abraham buy an entire section of the city (Genesis, Chapter 23). This sharing of ownership in a city, gave Abraham's family a kind of royal status there, but no doubt, made them responsible for taxation as well. While Ephron is said to have lived among the children of Heth, the Anakim are not called Hittites in the Bible, but this is a logical assumption. The Bible does say that the Israelites were largely of Hittite extraction, which leads us back to the sister of Phoroneus, Io. The story of Io concerns the founding families of Phoronea. The Greek myths say, that "Phoronea" was the name of the place before it was changed, (at some unspecified date,) to Argos.



In propagating a new religion it often becomes necessary to denigrate the old existing one. In this way the gods and heroes of the old tradition often become the demons and villains of the new one. It is apparent that this is what occurred in ancient Argolis. The Anakim, who were the original immigrants to Argos from Hebron, brought with them the worship of Hera, the Queen of Heaven. However, the newer arrivals, those who told the story of Io, apparently did not share so fervently in that worship. To them, Hera and her champion Argus, were the persecutors of Io. They preferred to worship a male deity and his messenger Hermes. There are tantalizing mythological hints about the nature of the previous religion where the Queen of Heaven was supreme. She had endowed Argus with great strength and sent him to destroy a terrible enemy of mankind, the monstrous Echidna. We are also told how previously, before Zeus had fallen in love with her and Hera began treating her so badly, Io had served as a priestess of Hera's. Now, we know from the Hebrew scriptures, that the new religion which was propagated by Moses, also had to overcome the previously existing "pagan" worship of the Queen of Heaven, who is Biblically referred to as "Ashtaroth." We also know From the book of Jeremiah Chapter 44 Verses 17 through 25, that this form of worship was a very popular alternative to the Hebrew religion. Back in the days of the Canaanite conquest, when Caleb was routing the Anakim out of Hebron, the Israelite leader Joshua, put it to the people to choose which religion they would honor. (Joshua 24:15-16, And if it seem evil unto you to serve Yahweh, choose you this day whom ye will serve; whether the gods which your fathers served that were on the other side of the flood, or the gods of the Amorites, in whose land ye dwell: but as for me and my house, we will serve Yahweh. And the people answered and said, God forbid that we should forsake Yahweh, to serve other gods.) Of course, the people were only giving Joshua lip service, for we further read at Judges 2:13, And they forsook Yahweh, and served Baal and Ashtaroth. This ultimatum to the people to choose between these two forms of worship cannot but helped to remind us of the ancient Greek myth about the founding of Argos. According to the myth, there was a contest between Hera and Poseidon, (Apsu+Adon, "lord of the abyss" he was a very jealous god, who often contested against the local, deity, a goddess usually, demanding the exclusive devotion of its inhabitants. The Athenians also, had to vote for either Athena or Poseidon, who wouldn't share his adoration. He was the "Earth shaker," the flood, and the drought, were his instruments. But, for all his Yahweh like attributes, he was very Dagon like too. This mixture of attributes was the result of a mixture between his main worshippers, the Danites and their closely related neighbors, the Philistines.) over whom should be worshipped by the People of Phoronea, it was either Inachus or, as some sources have it, Phoroneus who chose the Queen of Heaven, and thus the place was named for her son. Consequently, the wrathful Poseidon duly punished the people, with drought and flood, for deciding against his worship. The summary of my theory is, that Argolis in Greece was founded by the Anakim from Hebron, who were expelled by Caleb, in the days of Joshua. The People of Argolis brought the stories of Hebron with them as they went to its colony in Greece, they called this colony "Argos," after the son of Hera, Argus Panoptes. Much of the stories about the city, especially while it was still called Phoronea, actually took place not in Greece but back in Hebron, and the Argolians simply retained those memories as their founding myths. Subsequent waves of Danite/Philistines, also from the land of Canaan, later arrived in Argos, and adjusted the Argolian mythology a bit to better suit their religious beliefs. we shall soon learn more about this Danite wave of immigration, which is also the subject of Greek mythology and known to them as the arrival of Danaus. Before I go on however, to outline the Hebrew origins of the Greek myth about Danaus, I should like to add just a bit more about the Greek mythological character whom we know as Prometheus.



The importance of the Promethean role in classical mythology is often overlooked, but it is central to his theme, that it was he, after all, who with his sage and counsel, was responsible for Zeus' gaining the kingdom of heaven from Kronos. During the Gigantomachy, (This is the Greek name for the "war of the giants,") it is said that Prometheus, at first offered to help the Giants, but his help was little appreciated, and he turned to help his, even less appreciative cousin, Zeus and his cohorts the Olympian gods. It was Prometheus who insisted that Zeus enlist the aide of the previously banished masons of antiquity, the cannibalistic, Cyclopes, a move which sealed the victory for the gods. Prometheus surpassed all the gods in cunning and guile, he was very capable of ridiculing them, which he sometimes did. Once when Mankind found themselves in a dispute with the gods over which part of an animal sacrifice should be kept by men, and which should be offered to the gods. It was decided that Prometheus, would be the mediator between gods and man, and settle this question of sacrifice once and for all. He did so by a fraud intended to favor mankind; he divided a sacrificial bull into two halves, and wrapped the choice, edible parts, in skin and guts, but the bones he covered with a convincing amount of fat. He then had Zeus choose one of the piles. The king chose the fat, as that looked best on the surface, and so was duped. That was the insult which so outraged Zeus that he took fire, and all it's uses away from mankind and determined to wipe out the race. Prometheus would not allow this to happen, so he sneaked into heaven and stole a portion of fire from the lightning bolt of Zeus, and he carried it, hidden in a fennel stalk, back down to mankind. He then cautioned mankind to beware of Zeus, his rule, and all his ways. Because of this indignation, Zeus was now fully enraged at the champion of mankind. He ordered Hephaestos, (some say Hermes) to chain Prometheus to mount Caucasus, to hang, exposed to the elements, where a vulture was commissioned to gnaw at his liver daily, (the liver grew back each eve,) through a wound in his side. Now then, Zeus would have left Prometheus in this predicament forever, except for the fact that he had acquired a curse against himself, at the time that he usurped the Kingdom of Heaven from Kronos, so saying that one of his sons would surpass him. Zeus, more like and earthly king, (such as Nimrod, Pharaoh, or Herod,) than a god, did not know who this son, or his mother, was going to be, but Prometheus was a great prophet, he knew, and Zeus wanted to find out. Zeus promised to stop the punishment if Prometheus would only reveal the name, but Prometheus was silent in the face of his persecutor, choosing to suffer, (for the sake of man) and would not tell the secret, thus insuring the successful downfall of Zeus.



For more articles by John R. Salverda on the Hebraic Connections of Greek Mythology, see:



"Helleno-Yishurin. The Hebrew Origin of Greek Legends"



Friday, January 27, 2012

Europa and Jeroboam of Israel



[The AMAIC considers the Middle East – West comparisons of John R. Salverda as interesting, with some of them we think being very likely. But we do not necessarily agree with all of the following] 
 
Europa and Jeroboam of Israel
by John R. Salverda

Do  Kidnapped Europa and Her Brothers Represent Lost Israelites?

Background:


Greek Mythology relates that the chief god Zeus disguised himself as a white bull and abducted  the Phoenician princess Europa daughter of Agenor  from her home in Tyre, Lebanon. They went to Crete where Europa gave birth to Minos, Rhadamanthys, and Sarpedon.
Minos became king of the Minoans in Crete.

Sarpadon went to Lycia in Anatolia (in present-day Turkey).
Rhadamanthus went to Boetia in Greece. His sons were Gortys and Erythrus whose name is Greek for Edom.
 Virgil (69 - 18 BC) makes Rhadamanthus one of the judges and punishers of the damned in the Underworld (Tartarus) section of The Aeneid.
Pindar says that Rhadamanthus is the right-hand man of Cronus (now ruling Elysium) in the Isles of the Blessed (a term that could be applied to the British Isles) and was the sole judge of the dead.

Elysium, a paradise which Homer placed in the far west, on the banks of the encircling river Oceanos.


Cadmos and his brothers sons of Agenor of Tyre in Phoenicia were sent to search for Europa. Cadmos founded Thebes in Greece and introduced the Phoenician [Proto-Hebraic] Alphabet to the Greeks. He was reponsible for the creation of the Spartans who sprang from the earth.


In the article below, John R. Salverda, analyses the legends surrounding these figures and finds in them traditions concerning the Ten Tribes of Israel in their journeys westward from the Land of Israel after being exiled by Assyria.


Europa Lost
Europe is named after a descendant of Io's who was called, 'Europa.' The myth of Europa can be found in any book of Greek Mythology, and has been well known for almost 3000 years. Can anything new be learned from it' No, but oddly enough, we can still learn something old, from it. Let us begin by examining the name itself. The name Europa, is a feminized form of the same Hebrew name that comes to us through Biblical sources, in its masculine Latin form, 'Jeroboam.' I learned this, when I compared two maps of the same city in Syria, one had the city labeled, 'Jerablus,' while the other had it as, 'Europos.' It occurred to me that this was a perfectly reasonable transliteration, and that both names were one and the same.
King Jeroboam, the first king of the northern ten tribes of Israel, is mentioned often in the Bible, unfortunately his name usually follows after the phrase, 'the sins of...' This is because Jeroboam was infamous for reintroducing the worship of god in the form of a bull, and calves were set up as images of god's savior, these constituted the 'sins of Jeroboam.' This tendency toward tauropomorphism, began at the Exodus, when Israel's agent of deliverance, (legends say it was Michael the Archangel) was overwhelmingly agreed, by the very witnesses of the event, to have been a calf, of whom they built a golden image. This was an idol, not of God, but of the son of god, and they sang these words as they danced around it, 'This is your god oh Israel, who brought you up out of the land of Egypt.' Israel was regularly personified as a maiden, (the Virgin Israel) who was beloved by God and betroth to Him. But the Israel of Jeroboam, went, whoring after foreign gods. It becomes obvious that, to some, she was known by a feminized version of King Jeroboam's name. The evidence for this identification is overwhelming. Europa got carried away adoring god in the form of a bull as well, and both the Virgin Israel and the maiden Europa, were from Phoenicia. The resulting, 'loss among the nations,' occurred in both cases, from the same place, and for the same reason. Does it surprise us to think that this story, (which included a promise by God to his People who were dispersed amongst the nations,) may have, in ancient times, received a wider distribution, than to be stored away on some Temple scroll and only be known, eventually, through the Bible' In fact the story was far famed, as we might have known.
The Greek myths tell us that Europa had a son who ruled over the Island of Crete, his name was Minos. If Europa be from Jeroboam, and the Cretans spoke Western Semitic, (the same language as the land of Canaan) which they did, then I'll bet 'Minos,' is the same name as 'Manasseh.' In fact one wonders indeed, if there wasn't a bit of confusion between the stories of the Cretan, King Minos, and the later Judean, King Manasseh. How many other kings, from this same area, with the same name, were famous for sacrificing youths to a bull headed god' (Minotaur, Manasseh's Torah' is Manasseh an alternate version of the name Moses' as in Judges, chapter 18, Verse 30, if so, perhaps the Minotaur was blasphemously named for the Law of Moses.) Thus it seems likely that the 'Minoan' civilization was named for the son of Joseph, Manasseh.
This series of coincidences about Europa is impressive enough without mentioning this other weird point, which was the fact that Israel was prophesied to be regathered by an heir to the throne, and returned to her homeland in the last days. (Isa. 11;10-12) But, this famous promise, must be cited here as evidence that Europa is Israel, because this hopeful prophecy is also coincidental to the 'myth.' The Greek myth asserts that the true heir to the throne was sent to find the lost Europa, and he was told not to return until he could bring her back.
Cadmus and the Brothers of Europa
Although the story of Io must have been in existence in one form or another, since the Exodus, (parts of her story belong to the days of Abraham, but most of it, is the story of Hermes Argiophontes, her deliverer, who plays the role of Moses at the Exodus) there is no doubt that the version of her story which has come down to us, did not receive it's final form, until after her descendant Cadmus came to Greece. We know this, because the story incorporates the use of the Alphabet within its body, for Io was able to spell her name in the sand with her cow hoof. (This part of the story relies upon the fact that the Greek 'I' was just a 'Jot,' and the letter 'o,' resembles a hoof print.) She was thereby identified when she returned home after her extensive 'wanderings.' This detail limits the Greek antiquity of Io's story, until about 850 BC. when the Greeks first began to use the Alphabet. But, this was a Phoenician story that was brought to Greece at a later date, generations after these events actually occurred, and the Phoenicians knew about the founding of Argos already for years back home, because, they were Israelites and the city of Argos was a colony of Hebron, also it was they who had an alphabet which Io could spell, the Hebrew alphabet.
No one doubts that the Hebrew alphabet was used in Greece, but it seems to me, calling it 'Phoenician,' is a bit misleading. If Moses, famous for his writings, wrote anything, then it is logical to assume him to be the oldest known user of this alphabet. The Greeks, in keeping with the identification of Moses with Hermes, (the serpent stick carrying messenger of god who delivers god's earthly wife from her bondage,) credit Hermes as the inventor of the alphabet. Cadmus is accredited with bringing the alphabet of Hermes, from Phoenicia to Greece, but, not until about 850 BC. It's easy to dismiss all myths in a group as fairy tales, but Cadmus was not a god, he was a man who is famous for doing something which really happened, others who lived within a few hundred years of him speak of Cadmus as an actual historic personage. He came to Greece with a colony and was considered to be the founder of Thebes, a quite well known city in Boeotian Greece, which was even called 'Cadmea,' after him.
While there seems to have been a real Cadmus, it is, as if a very familiar religious doctrine, has gotten attached to him. Because the role of Cadmus in the story about the return of Europa, foreshadows a type of the Christian Messiah, he is made to perform a series of tasks, which are obviously designed to fulfill many key Messianic prophecies. These tasks were, perhaps, more 'expected,' of him than were actually 'performed' by him. He destroys the serpent by transfixing it to a tree, thus, 'lifting it up,' and 'nailing it to the tree.' Leaving the Sparti in Greece, Cadmus goes to the Northwest, into Europe proper, where they make him King, in the land of the Enchelians, (Angels' Angles, or English') where, in the end, he and Harmonia, never really die but are instead Miraculously translated.
The Sparti remained in Greece, where they left many descendants, and worshipped Cadmus as a hero, with shrines. One famous, such hero shrine of Cadmus, was located in the Greek nation of Sparta, on the Laconian coast, and was maintained by the Spartans, (sown ones) even down to the days of the Jewish high priests Onias, and Jonathan. As reported by Josephus, and recorded in Rabbinical writings, Onias and the Spartans, wrote to each other, and both recognized the Spartans as having a common ancestor.
-John R. Salverda
For more articles on the Hebraic Connections of Greek Mythology, see:
"Helleno-Yishurin. The Hebrew Origin of Greek Legends"

Bellerophon and Pegasus


[The AMAIC considers the Middle East – West comparisons of John R. Salverda as interesting, with some of them we think being very likely. But we do not necessarily agree with all of the following] 

Bellerophon

Bellerophon and Pegasus

by John R. Salverda
Bellerophon: The Successor of Perseus

Following the story of Perseus in Greek mythology is the story of "Bellerophon," he was a descendant of Sisyphus from the Corinthian cycle of myths, not from the Argive cycle as was the Danaan Perseus. The two stories do not appear to have been originally connected in the Greek myths. However the story of Bellerophon was apparently recognized by the Danaans as the follow up to the story of Perseus, it was therefore added on to it and thus intrudes itself into the Argive mythology. Later mythographers, presumably the astrologers from the priesthood of Micah's idol (because Pegasus is also a constellation) the same ones who added the story of Perseus at Joppa on to the earlier stories of Perseus, (as their priesthood, these would logically have accompanied the Danites to Mycenae) make Bellerophon out to be the rider of the winged horse Pegasus. Homer however, the earliest of the Greek Mythographers, says nothing about it. (Although he was well familiar with both the Argive mythic cycle containing Perseus, and told an extensive version of the story of Bellerophon from the Corinthian mythic cycle, Homer apparently did not have a nexus between them, and makes no mention of Bellerophon riding Pegasus at all.)


Because they thought it reasonable to place Bellerophon chronologically right after Perseus, we can ourselves draw some conclusions in regards to placing his deeds into the sequence of mythological events. We have learned from abundant ancient sources, that Pegasus was born out of the blood that flowed at the slaying, by Perseus, of Medusa.

While Homer is silent on Pegasus, Hesiod nearly as ancient, tells us; "But when Perseus had cut off the head of Medusa there sprang from her blood, stout-hearted Chrysaor and the horse Pegasus so named from the pegai (springs) of Okeanus, where he was born." (Hesiod, Theogony 280 ff).
Ovid tells us that Perseus "looked at her ghastly head reflected in the bright bronze of the shield in his left hand, and while deep sleep held fast Medusa and her snakes, he severed it clean from her neck; and from their mother's blood swift-flying Pegasus and his brother sprang."
(Metamorphoses 4.770). From Apollodorus we get, "Perseus, therefore, with Athene guiding his hand, kept his eyes on the reflection in a bronze shield as he stood over the sleeping Gorgons, and when he saw the image of Medusa, he beheaded her. As soon as her head was severed there leaped from her body the winged horse Pegasus and Chrysaor the father of Geryon. The father of these two was Poseidon." (Apollodorus 2.38-46). In keeping with the theory that the slaying of Medusa was a Greek version of the Hebrew law giving, we shall extend the logic to assign the mythical battles of Bellerophon, to the time shortly after the Scriptural Exodus. As this was the time when Joshua, taking over from Moses, undertook the conquest of Canaan, so we are compelled to attempt to coordinate the deeds of the conquering Greek hero Bellerophon, with the activities and attributes of the conquering Hebrew hero Joshua.

The Scriptures tell us that Joshua was an Ephraimite descendant of Joseph, while according to the Greek myths, Bellerophon, was a citizen of Ephyra, and was a descendant, the grandson, of the Ephyraean Sisyphus. As Homer puts it; "There is a city Ephyra, ' there lived Sisyphus, Aeolus' son, and he had a son named Glaucus, and Glaucus in turn sired Bellerophon the blameless." (Iliad Book 6. Page 144 ff) Therefore the identification of Bellerophon with Joshua is consistent with not only the Perseus being Moses association, but also with the Sisyphus being Joseph association that I have made elsewhere.


Bellerophon was famous for being exceptionally chaste. (Homer and Hesiod in the most ancient of accounts, both introduce him as, "Bellerophon the blameless.") The wide spread notion that Bellerophon exhibited a superior morality when it comes to controlling his sexual desires, displays itself in the Greek myth in just the way one would expect the descendants of the Biblical Joseph to display it. For the well known story of Joseph and the wife of Potiphar, which would have been very familiar to people from the tribe of Joseph, was also used to illustrate the virtue of Bellerophon. The Israelites had the following account about Joseph; "And Joseph was a goodly person, and well favored. (Ginzberg, from "Legends of the Jews" puts it this way; "Joseph was of ravishing beauty, and the wife of his master was filled with invincible passion for him.") And it came to pass after these things, that his master's wife cast her eyes upon Joseph; and she said, Lie with me. But he refused, ... And she caught him by his garment, saying, Lie with me: and he left his garment in her hand, and fled, and got him out. ... And she laid up his garment by her, until his lord came home. And she spoke unto him according to these words, saying, The Hebrew servant, which thou hast brought unto us, came in unto me to mock me: And it came to pass, as I lifted up my voice and cried, that he left his garment with me, and fled out. And it came to pass, when his master heard the words of his wife, which she spoke unto him, saying, After this manner did thy servant to me; that his wrath was kindled." (Gen. 39:7-19) Now, notice the similarities in structure, detail, and order, that we get from the very ancient Homeric account concerning the "mythical" Bellerophon; "To Bellerophon the gods granted beauty and desirable manhood; ... Beautiful Anteia the wife of Proetus was stricken with passion to lie in love with him, and yet she could not beguile valiant Bellerophon, whose will was virtuous. So she went to Proetus the king and uttered her falsehood : '... Bellerophon who tried to lie with me in love, though I was unwilling.' So she spoke, and anger took hold of the king at her story." (Homer, Iliad 6. 144 ff), remarkably coincidental indeed for two supposedly unrelated stories.


Pegasus

The Exodus from Egypt was accompanied by an aerial phenomenon, the pillar of cloud and fire flew around in the sky and accomplished many of the major miracles of the story. That is why the Greek myths have Perseus, the "mythical" Moses, flying around on winged sandals as he accomplished his fabulous tasks. The defeat of the Amorites by Joshua was also an aerial manifestation "'Yahweh cast down great stones from heaven upon them' more died from hailstones than Israel slew with the sword." (Joshua 10:11). That is why the Greek myths have Bellerophon, the "mythical" Joshua, flying around on the winged horse Pegasus as he accomplished his fabulous tasks. The two airborne incidents were considered to be related by the Jews as well, for according to Ginzberg's research, "The hot hailstones which, at Moses' intercession, had remained suspended in the air when they were about to fall upon the Egyptians, were now cast down upon the Canaanites." ("Legends of the Jews"). The character known as Pegasus was apparently developed as a symbolic poetic devise that was specifically designed to link the two stories, the Danaan tale of Perseus to that of the Corinthian story of Bellerophon. Accordingly we can find the links between Moses and Joshua integrated throughout the "myth" of Pegasus.

Because of the way in which the Greek myths depict the winged horse Pegasus as having been born, not just of Medusa, but from her spilt blood, the result of the successful quest of Perseus, it may be surmised that Bellerophon, the rider of Pegasus, owed his miraculous conquering abilities, as well as his commission, to the famous act of Perseus. This mythological point has it's Scriptural parallel in that Moses had turned over to Joshua the "reins of power," so to speak, for the conquest of Canaan (Num.27:15-23; Deut.31:7-8,23; Josh.3:7-10). But why did Moses have to give up his office to Joshua' We are told in the Scriptures that Moses would have been allowed to lead the people to the promised land except for one thing, he had committed the sin of presumptuous arrogance when he struck a rock to produce a spring.

Pegasus (whose name means, "of the springs," or wells) was more than once associated with the wonderful creation of springs by striking rocks at certain mountains. The spring Hippocrene miraculously sprang from a rock that laid below Mount Helicon, the mountain of the Muses, (That's Muses not Moses, they both had a mountain where a rock was struck to produce a spring and both were attributed with inspired writing, but the gender, the number, and the spelling, were all different. I'll explain their relationship, but it will have to wait until a future article.) when Pegasus struck the rock with his hoof. Here quoting Hyginus, "Pegasus, offspring of Poseidon and the Gorgon Medusa, who on Helicon, a mountain of Boeotia, opened up a spring by striking the rock with his hoof. From him the spring is called Hippocrene (Horse Fountain)." (Astronomica 2. 18). Strabo tells us the equivalent, "The same horse (Pegasus), it is said, caused Hippocrene to spring up on Helicon when he struck with his hoof the rock that lay below that mountain." (Geography 8. 6. 20). Also, there is the very Moses like story about how the rider of Pegasus was not allowed to enter Olympus when he was thrown from the back of the winged horse. "Bellerophon 'after the creation of the spring, as he was attempting to fly to heaven, and had almost reached it, he became terrified looking down at the earth, and fell off and was killed." (Pseudo-Hyginus, Astronomica 2. 18) Notice here that striking the rock is connected to the denial of entrance to the "sacred" place. And also see how there was a lofty vision of the earth just before the hero died. "And Yahweh spoke unto Moses that selfsame day, saying, Get thee up into this mountain' and behold the land of Canaan, which I give unto the children of Israel for a possession: And die in the mount whither thou goest up,' Because ye trespassed against me among the children of Israel at the waters of Meribah' Yet you shall see the land before thee; but you shall not go thither'" (Deut. 32:48-52) Also, from Hyginus again, "When Bellerophon had come ' riding on Pegasus, and he is said to have fallen in the Aleian plains and to have dislocated his hip." (Fabulae 57). "And as to Levi he said: ' put to the test at Massah. You began to contend with him by the waters of Meribah, 'Wound severely in their hips those who rise up against him, 'that they may not rise up." (Deut 33:8-11) Note the odd detail of the injured hip received for rising up.

This entire series of similar motifs leads me to believe that this part of the Greek myth is, although somewhat garbled, a version of the story of the Levite Moses, who following divine instructions, had struck a rock at mount Sinai with his rod miraculously forming a spring. Then later he tried it again without following the instructions and because of this he was not allowed to enter the promised land. This was why he had to commission Joshua to take over the leadership of Israel in his stead. Presumptuous arrogance was the error and the moral of the story in each case. "Pegasus winged high threw down to earth his lord Bellerophon, who thought to reach the abodes of heaven, and share the company of Zeus. Sweets gained un-rightly await an end most bitter." (Pindar, Isthmian Ode 7. 44 ff). It should perhaps be pointed out at this juncture that it was not only Moses but Aaron, Miriam and the entire generation of complainers that were "bucked" off on the way of the wells to the promised land. Contrary to the Bellerophon myth, Joshua and Caleb were the only two people allowed to complete the journey.

For more articles by John R. Salverda on the Hebraic Connections of Greek Mythology, see:
"Helleno-Yishurin. The Hebrew Origin of Greek Legends"

Lady Macbeth Drawn From Jezebel (Nefertiti)



Taken from: http://home.ptd.net/~msteen/benintende_macbeth.htm






Emma Benintende
Mr. Steen
AP Literature and Composition
November 14, 2006
Biblical influences in Shakespeare’s Macbeth


During Shakespeare’s lifetime (1564-1616), few books were readily available to the general population. The Bible in particular pervaded the literary scene during that time. Growing up in England, a Christian nation, it is probable that young Shakespeare’s first exposure to the written word was The Bible. Rather than the modern King James Bible, Shakespeare was more likely acquainted with the Geneva Bible of 1582 (Shaheen 11). Regardless of the version, Shakespeare’s work proves he was inarguably familiar with Bible stories and Christian themes. In his tragedy, Macbeth, Shakespeare affirms his knowledge through comparisons to Bible stories, references to specific Biblical passages quoted almost verbatim, and Christian ideas such as belief in divine judgment and the dichotomy between good and evil.
Shakespeare’s primary source of inspiration for Macbeth came from Holinshed’s Chronicles; however, he altered history and many aspects of the story fictionalized to gain the interest and favor of King James. Shakespeare’s secondary source, inspiring many details of the tragedy, was the Christian Bible. Adding an interesting human element to Macbeth was the interaction between Macbeth and his wife, Lady Macbeth. Despite, and perhaps because of his genius, Shakespeare did not create his characters and their interactions without drawing from an outside source, notably the Bible. One of the similarities between these works can be traced from Macbeth and his “fiendlike” lady back to Ahab and Jezebel. In the book of Kings, Ahab desires the vineyard of Naboth. At the urging of his wife, Jezebel, the two frame Naboth, having him stoned to death in order to seize his lands. In comparison, Macbeth desires the throne of Scotland. Just as Jezebel urged Ahab, Lady Macbeth schemes and encourages a treasonous plot to allow her husband to assume the power he craves (Burgess 87-88). Following the acquisition of their desired ends, (Ahab’s vineyards of Naboth, and Macbeth’s crown of Scotland), both men are haunted by similar prophetic truths. The Lord told Elijah to warn Ahab that “In the place where dogs licked the blood of Naboth shall dogs lick thy blood… The dogs shall eat Jezebel by the wall of Jezreel”(1 Kings 22:19, 23). Macbeth realizes himself that “…blood will have blood./Stones have been known to speak./Augurs and understood relations have…/Brought forth…The secret’st man of blood” (3.4.125). Both men are doomed to pay for their misdeeds from the time they are committed, and they realize their eventual demise. Ahab is killed and left for “the dogs” as Naboth was, and Macbeth is aware that the murders of Duncan and Banquo will only lead to more bloodshed, ending with his own. In the action following both stories remain true to the foreshadowing. Ahab is betrayed in battle, and Macbeth is murdered by his own Scotsmen. As Jezebel, once a strong female figure, was hurled from her chamber window; Lady Macbeth who also began her story as a strong influence over Macbeth ends her own life by hurling herself from a window (Burgess 90).
In addition to mirroring story lines and characterizations, Shakespeare also references more individualized ideas such as treason, reflected by the use of similarly worded lines to those in the Bible. “If it were done when ‘tis done, then ‘twere/ well/ It were done quickly.” (1.7.1-2) said Macbeth while contemplating the murder of Duncan, while “That thou doest, do quickely” (John 13:27) was Jesus’ warning to Judas during the Last Supper (Shaheen 161). Though the story of the betrayals of King Duncan and Jesus Christ cannot be compared in their entirety, the comparable of the wording of these passages indicates that Shakespeare was making a Biblical reference. Macbeth follows through in his actions against Duncan, killing him in his sleep. Judas also betrayed Jesus, having him arrested by Roman soldiers and crucified (Bible Gateway). Directly following their acts of treason, both Macbeth and Judas felt extreme sense of guilt; Judas hanged himself while Macbeth worried that he “…had most need of blessing, and ‘Amen’ stuck in [his] throat” (2.2.33-34). In the 1500s-1600s, much of Shakespeare’s audience would have been familiar with the Bible and would have picked up the relationship between these lines, immediately confirming the treachery about to unfold in Macbeth.
After his vision of Banquo’s ghost during the banquet scene, Macbeth acknowledges his doom, “It will have blood. They say blood will have/ blood.” (3.4.124). As he has drawn the blood of innocent men, Duncan and Banquo, the only resolution can be the spilling of more blood and eventually his own. The idea that one will be punished for murder by other men indirectly through divine intervention was introduced in the book of Genesis when God told Noah, “Whoso sheadeth mans blood, by man shal his blood be shed” (Gen. 9:6) (Shaheen 167).
Shakespeare sometimes employs other Biblical references not verbatim, but passages in which the ideas and implications are analogous. “Like figtrees with the first ripe figs: for if they be shaken, they fall into the mouth of the eater” (Nahum 3:12) prophesizes the downfall of Nineveh, the Assyrian capital, as punishment for the treachery, superstition, and injustice its inhabitants practiced. The city was to be “shaken” and the city’s ill to fall into “the mouth of the eater” (Shaheen 171). Treachery, superstition and injustice are trespasses Macbeth is guilty of; treachery in the betrayal of his king, superstition in his belief of the “weird sisters” and injustice shown by unfair treatment of his subjects. At the conclusion of act four, Malcolm proclaims, “Our power is ready/…Macbeth/Is ripe for shaking, and the powers above/Put on their instruments” (4.3.237-38). Rather than Nineveh, Macbeth’s regime needed to be “shaken” or toppled and instead of falling into “the mouth of the eater” Macbeth must face divine providence or the “powers above.”
The use of powerful symbolism and clear imagery sets Shakespeare apart from other playwrights. His symbols and images, however, may have been borrowed from other sources, namely the Bible to evoke a strong reaction in his Bible-literate audience. After of the murder of King Duncan, Macbeth is literally covered with blood and believes that “… my hand will rather/ The multitudinous seas incarnadine,/making the green one red” (2.2.61-63). His wife, who had encouraged him to commit the act, assured him that “A little water clears us of this deed” (2.2.67). The symbolism of being soiled with blood is used throughout the tragedy. Lady Macbeth eventually feeling her own guilt in act five, laments “Out, damned spot! Out, I say…/ Yet who would have thought the old/man to have had so much blood in him?” (5.1.39-45). The symbolism used here is not unique to Macbeth. The use of the hand-washing metaphor is also present in the Bible. Following the sentencing of Jesus to be crucified, Pontius Pilate “…tooke water and washed his hands before the multitude, saying, I am innocent of the bloud of this iust man.” (Matthew 27:24). Both Pilate and Macbeth identify the guilt of a sin with the idea of being soiled or having “blood” on their hands (Shaheen 163), and purge themselves of responsibility with the “washing of hands.”
Even where distinct line references cannot be paralleled between Macbeth and The Bible, there are myriad passages in which the playwright alludes to the Christian ideals of the “immortal soul” and divine judgment. In Macbeth these ideas weigh heavily upon the title character. In his first soliloquy, Macbeth bewails the consequences, both on Earth and in the afterlife, of murdering the king, “…this even handed justice/Commends the ingredients of our poisoned chalice/…his [Duncan’s] virtues/Will plead like angels trumpet tongued against/The deep damnation of his taking-off” (1.7.10-20); after seeing the body of the murdered king, MacDuff cries “Up, up, and see/The great doom’s image! Malcolm! Banquo!/ As from your graves rise up, and walk like sprites (2.3.77-79) (Shaheen 165); and in retrospect, Macbeth recognized, “…mine eternal jewel given to the common enemy of man” (3.1.68-69) (Noble 234), or that his immortal soul was given to the Devil. Before even committing the sinful deed, Macbeth, a Christian man, is aware that his immortal soul will be damned for murdering Duncan, a good and just king. Macduff’s cry evokes the idea of judgment day when, “All that are in the graues, shal heare his voice. And they shal come foorth” (John 5:28-29) (Shaheen 165), and serves as an indirect warning to Macbeth to atone for what he’s done. It is also an assurance to the audience that Macbeth will pay for his sins and will not escape “judgment” on earth, or, more importantly in the afterlife.
In every great story a battle rages between the forces of “good” and “evil.” No two stories exemplify this conflict better than The Bible and Macbeth. In The Bible, God and Satan are in opposition, God in Heaven, Satan in Hell with earth as their battlefield and all the people, God’s holy disciples and Satan’s conniving minions, pawns of their will. In Macbeth, Shakespeare aligns his characters with these forces in a battle of good and evil over the crown of Scotland. Macbeth is identified with darkness, and unclean animals such as “wolves.” His home, Iverness, is likened to hell, the porter calling himself, “the porter of Hell gate” asking “Who’s there, i’ the name of Beelzebeb?” (2.3.2-4). In contrast, Macduff the consummate “good guy” is identified with clean animals, “pretty chickens” and, after learning of his family’s murder at the conclusion of act four, makes reference to “heaven” several times as if to ally himself with God against Macbeth, a “hellkite”, whose name “The Devil himself could not pronounce a title/More hateful” (5.7.10-12). The use of Biblical figures aligned with characters in Macbeth serves to clarify the characters’ motives and intentions, effectively demonstrating how thematic references rather than direct “quotations” from an old, well known sources such as The Bible, can be used to convey an idea in another story like Macbeth.
In his great tragedy, Macbeth, Shakespeare effectively uses Biblical influences to convey ideas that can be paralleled with action and ideas in the play. Shakespeare’s 16-17th century audience would have been well acquainted with the Bible. Their understanding of his references to the Bible would have helped them better understand the story of Macbeth. Comparisons to Bible stories such as Ahab and Jezebel; references to specific Biblical passages from the books of John, Genesis, Nahum and Matthew, and Christian ideas, contribute to the comprehension of themes in Macbeth such as spousal influence, betrayal, conscience, divine judgment and the forces of good and evil.
Works Cited
Bible Gateway.com. Gospel Communications International. Nov. 11, 2006.
Burgess, William. The Bible in Shakespeare. New York: Haskell House Publishers, 1968.
Noble, Richmond. Shakespeare’s Biblical Knowledge. New York, Octagon Books, 1970.
Shaheen, Naseeb. Biblical References in Shakespeare’s Tragedies. Newark: University of Delaware Press, 1987.
Shakespeare, William. Macbeth. (From the handout)